"Graceful and sensual, with distinctly clean lines, the screens suggest the solidity of organic forms and the fluidity of music. Roger Fiedler, in an article in Art Review Magazine, wrote: a large body of Hauers work, beginning in 1950, entails elements of infinity, continuity and periodic repetition. This reiteration is strongly present in Baroque music, where we often find ongoing continua, totally repetitive, and then the theme music emerges and interweaves with the framework of the continuum. Asserting that music has always been his main inspiration, Hauer says the shapes within his continua need to be cantabile.", akin to theme melodies."
source - "www.ErwinHauer.com"
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